Sunday, 22 February 2009

Cecilia de Val

Cecilia's photographs are self-portraits. She is like a modern heroin who shapes her adventures and her settings as she pleases: enchanted forests, sci-fi sets, and suburban architectures. Sometimes, cut-out doubles¨ of Cecilia tread silent dreams of pain, treason, and conspiracy. The crossover of genres like science-fiction literature, short stories, fantastic cinema, comic, and Renaissance painting produce disturbing and shifting images, on the boundaries of the subconscious. Her themes question individuality and identity by means of their opposite: multiplicity and double.

+Camara Oscura


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