CHRISTIAN FAUR

CHRISTIAN FAUR CRAYONS SERIES
Portraits made with Hand-Cast Encaustic Crayons.


CHRISTIAN FAUR'S STATEMENT
"--Each material has its own message-- Frank Lloyd Wright (1928)

The things that inspire me to create, I find, are buried deep within the structures and systems that form the underpinning of our natural world. My studies in the natural sciences have made me aware of these hidden layers of complexity present in even the simplest objects. These invisible layers are seen most clearly through the lens of logic, which is used to decipher the underlying rules and laws that govern the physical world.

In my work, I try to mimic these elegant structures of nature by developing systems of my own with which to express my thoughts and ideas, so that the medium and the message appear as one.

I think of it like a game, with a set of axioms that are established at the outset through the limitations of the material or forms from which the work is constructed, which then dictates what can and cannot be "said" within the boundaries of the chosen medium. This material limitation can also be a strength, as there is the potential to contain thoughts and ideas in unique ways, so that the "medium" can become the "message." This intertwining of form and function can be seen most directly in my most recent work, which is comprised of crayons and shredded paper.

These systems function as a private language, that allows me to express many layers of meaning within each work that I create. I think of them as complex visual "poems," which can redefine the way we think about the meaning of communication. (...)" (CHRISTIAN FAUR)
☁ CHRISTIAN FAUR
☁ CHRISTIAN FAUR ON HOLGA

CARLO VAN DE ROER

☁ CARLO VAN DE ROER
☁ CARLO VAN DE ROER ON HOLGA

RICHARD PRINCE

"Richard Prince, (born 1949 in the U.S.-controlled Panama Canal Zone, now part of Republic of Panama) is an American painter and photographer. His works have often been the subject of debates within the art world. Trained as a figure painter, Prince began creating collages containing photographs in 1975. His image, ‘Untitled (Cowboy), a rephotograph constructed from cigarette advertisements, was the first ‘photograph’ to raise more than $1 million at auction when it was sold at Christie's New York in 2005, despite violating numerous copyright laws.

Starting in 1977, Prince created controversy by re-photographing four photographs which previously appeared in the New York Times. Within the art world, this became part of a major discussion concerning authorship and authenticity of photographic images, as well as photographic copyright issues. This continued into 1983, when his work Spiritual America featured Garry Gross's photo of Brooke Shields at the age of 10, standing in a bathtub, as an allusion to precocious sexuality and to the Alfred Stieglitz photograph by the same name. The display of this image led to lawsuits by Shields' mother and the original photographer, and led to further discussion within the art community, concerning the role of voyeurism within photography. His Jokes series (beginning 1986) concerns the sexual fantasies and sexual frustrations of middle-class America, using stand-up comedy and burlesque humour.

After living in New York City for 25 years, Prince moved to upstate New York. His minimuseum, Second House, was owned by the Guggenheim Museum, but was hit by lightning and burned down after being up for only six years from 2001 to 2007."(Wikipedia)
☁ RICHARD PRINCE

FRANK HABICHT

Born in Hamburg in 1938, Habicht began his career as a photographer in 1960 attending the Hamburg School of Photography, from which he graduated in 1962. He quickly became established as a freelance photographer and writer in Europe submitting works to be published in magazines including Camera Magazine, Spigelreflex Praxis, Twen, Jasmin, Esquire, Hoer Zu, Die Welt, Sunday Times (UK) and The Guardian. Habicht also gained employment working as a stills photographer for film directors, Bryan Forbes, Roman Polanski and Jules Dassin (1965-68), as in-house photographer for the Playboy Club in London (1970) and as a freelance photographer for Top of the Pops (1969). These encounters certainly provided Habicht direct access to international pop idols and film stars who became subjects of his most celebrated photographs and included Mick Jagger and the Rolling Stones, actor/director duo Jane Birkin and Serge Gainsbourg, actors Vanessa Redgrave, Marty Feldman and Christopher Lee, director Roman Polanski and photographer Lord Lichfield.

Habicht’s images capture the uninhibited spirit of the times offering a glimpse into the heady period that still manages to arrest the imagination some forty years later. His book "Young London, Permissive Paradise", a social document on London's youth, was published in the late sixties. Another photographic book, "In the Sixties" (Tandem Press & Axis Publishing London 1997), juxtaposed those who achieved international fame with the unnamed, not recorded in history books. Frank says his main concern in photography is the process of communication to attempt to keep a situation alive by fusing observer and observed. (...)

During the past years Frank has compiled a portfolio of images juxtaposing the diverse extremes of our society in Cities and Places without their traditional landmarks. He observed the human contradictions, absurdities, the mystical, the fragilities, reality and fantasy - capturing togetherness, despair, rebellion, joy and sadness. Simply, life's beauty and drama...looking for what hides behind the human soul. (FRANK HABICHT)
☁ FRANK HABICHT

JEFFREY HEIN

JEFF HEIN
Born in 1974, New Windsor, New York.
Lives and works in Salt Lake City.

☁ JEFFREY HEIN